![]() ![]() The new, almost square sensor is supremely versatile, the camera's software has been simplified successfully, and GoPro's companion app, Quik has also been improved. GoPro membership required to unlock featuresĭespite the Hero 11 Black looking like every other GoPro this side of 2019, with upgraded hardware and software, it's a triumph on all fronts. Read our full Logitech Streamcam review for more details The best compact camera for streaming This does diminish positioning versatility a bit, but it’s a small strike against an excellent streaming camera. Our only real gripe is the fact that the USB-C cable is both short and non-detachable, meaning you can’t simply replace it with a longer one of your own. The cuboid Logitech Streamcam looks pretty chic and comes with a range of mounting options including a diddy desktop tripod, which makes it easy to put the camera at exactly the angle you want it. You can also install the Logitech Capture software, available for Windows or Mac, to further streamline the process. You’ll have no reason to worry about your streaming quality once this camera is up and running – the auto framing and exposure features keep you centered and keep the image balanced for a pleasing output. Its video quality is excellent, with 1080p 60fps footage that looks excellent. While the Logitech C922 Pro has staked out a place as a near-ubiquitous camera for conferences and the like, the Logitech Streamcam is a newer model that’s pitched directly toward streamers. See our full Razer Kiyo review for more details The best streaming camera for automatic features Although a little larger than some other streaming cameras, the Kiyo still clips neatly to the top of your PC display. As well as brightening your face, the light should also help prevent your face from mirroring reflections of gameplay from your screen, making for a more professional look.Īs for the camera itself, the Razer Kiyo streams at 1080p Full HD resolution at 30 frames per second (the gold standard for streaming at this price range), and a 60fps at 720p option is also available. The light ring surrounds the camera and its brightness can be adjusted the lights offer up to 10 Lux of brightness at a distance of one meter, with a color temperature of 5600K. You can invest in standalone lighting to help achieve this, but on a tight budget, you could be better off with the Razer Kiyo, which has its own integrated light ring made up of 12 LEDs. Lighting is a crucial part of video production, and you’ll want to make sure your face is brightly and evenly lit when streaming. ![]() Read our full Elgato Facecam review for more details The best streaming camera with built in light Fair enough, though this does mean you have to factor in the cost of a mic on top of the already slightly chunky asking price. See our full Elgato FaceCam review. Elgato's reasoning is that anyone who’s willing to spend almost $200 on a streaming camera probably isn’t planning to use a crappy on-board mic, and either has or is going to acquire their own. The focus is fixed, and in a move that seems surprising but makes sense once you think about it, there’s no onboard mic. In other respects, the camera is pretty simple. The default image it produces is bright – some might call it overexposed – but if it’s not to your taste then it’s easy enough to fix the settings with Elgato’s Camera Hub software. It shoots video at a streaming-friendly resolution of 1080p, uncompressed, with a 60p frame rate. (Remember this is just a point of reference.The Elgato Facecam is a relative newcomer to the streaming circuit, placing a firm emphasis on accessible, high-quality content. Would use x264 or NVENC (depending on if you could push x264 medium or not). (Remember this is just a point of reference.) But never use Full, because of over-saturation, unless you like the over-saturation, in which case go ham I would not use the Simple output, always use Advanced for more quality options.Īlso make sure your Color Space is at 709, because less washed out image. Keyframe Interval: 2 for optimal, 1 for quality, usually no differenceĭownscale Filter: Bicubic or Lanczos, they are similar enough to be minuscule in difference Quality Preset: Medium or Fast or Faster, depending which one you can push ![]() Keyframe interval: 2 for optimal, 1 for quality, usually no difference If you have a baller upload, then use CQP, and if you are a little constrained, push your CQP higher or limit your bitrate. Unless you have a specific bitrate you want to go for, which if you do, the optimal for a good internet connection is 40-50mbps. If you're recording, many people generally recommend CQP/CRF of 18. Click to expand.Would use x264 or NVENC (depending on if you could push x264 medium or not).
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